"Good Genes," is now available to read at the Future Fire as part of their 38th issue, or Issue 2016.38 in the magazine's parlance.

I am super glad it was published just in time for Halloween as it's a spooky story, and a bit of an epic one, combining a modern-day tale with a narrative from the Wild West stage of American history. Sometimes, a place a refuge may bring more horror than the past left behind...

Artwork by Pear Nuallak

The illustration posted above is one of two that accompany "Good Genes" in the Future Fire. Both are done by Pear Nuallak, and I love when my stories get a little pictorial boost! Read the magazine online to see the second one! Here's the link directly to the story. And here's a new teaser for you:

The noise of the carnival had died down as the ceremonial hour approached and the townspeople made their way to the gathering place in a trickle. Clumps of dry needles covered brittle pine cones hanging from a handful of trees. The great lawn was a patchwork of mud-filled trenches, struggling green grasses, and yellowed squares that had given up the fight. A faded wicker pavilion rose up at the park’s eastern edge, in front of a free-standing wall of cement—handball courts? Two banners strung across the stage declared “Heritage Festival” and “May Our Founders Live Forever."

There are other great reasons to tune in to Issue 2016.38 -- free short stories by authors Ola Al-Fateh, Petra Kuppers, Kelly Rose Pflug-Back, and Damien Krsteski, and poetry by F. J. Bergmann! I look forward to reading them all. As Editor Djibril al-Ayad describes the collection:

"Not everything is what it seems—sometimes unseen terrors lurk in every shadow, around every corner, beneath an unassuming countenance or behind unthreatening doors. We might be pleasantly surprised by the resilience of a people we expected to collapse in defeat, and we could be equally shocked by the creeping bigotry and xenophobia of our smiling neighbors. Surprises are at the heart of dramatic tension, and hidden depths and dark secrets are a recurring theme in the stories in this month’s issue."

Feel free to leave me your reactions to "Good Genes" or comment on it at the Future Fire blog. Whatever you do, try not to take your next next cough too seriously...

Hey, it's not a holiday season without an obligatory "Buy My Work!" post from an author. I swear it's in the contracts we sign in blood with our publishers...somewhere...I seem to have misplaced them.

Oh, I think I remember where...

In 2015, I added two new opportunities to purchase my work, which is one way of saying some very lovely people agreed to include me in their collections -- some even paid me for it! One is a short story in a magazine and one is a contribution to a cookbook...a cookbook with quite illustrious co-contributors from the Speculative Fiction galaxy. Being a member of a professional organization comes with some perks, just sayin'.

Consider this my purchasable compendium, reverse chronological order! Collect all five! And come this time next year, there will be a novel to add to this list, one way or another...

1. Ad Astra: The 50th Anniversary SFWA Cookbook

Fran Wilde and Cat Rambo edited this collection of 150+ recipes from speculative fiction authors of the past, present, and maybe even future. In it, you can find my Seared Peaches with Prosciutto and Basil; it comes with high acclaim from the NC Research Triangle area spec fic community. Purchase the cookbook from the SFWA website here or from Amazon.

2. "Thlush-A-Lum" in PULP Literature Issue #5

"Thlush-A-Lum" is pure horror that would qualify as flash fiction in most markets. The story came about when I challenged myself to write something more focused on the sense of sound than the other four I more commonly use in my writing. Many of those sounds are inspired by what I could hear from my own Southern bedroom window…and a few sounds that I swear I’ve been able to hear no matter where I’ve lived.

Purchase Issue #5 from the PULP Literature website or from Amazon.

3. "Blow 'Em Down" from Beneath Ceaseless Skies Double Anniversary Issue #131

"Blow 'Em Down" is the story I describe as a steampunk retelling of the Battle of Jericho with a jazzy feel circa Harlem Renaissance. It's been taught in a college class and brought me some of my highest compliments, so I certainly think it's worth the read. Beneath Ceaseless Skies is not available in print, but the e-magazine can be purchased through Weightless Books or on Amazon.

4. "Bother" in Bull Spec #5

"Bother" was the cover story for Bull Spec #5, and I'm honored to this day that the highly regarded Richard Case chose to illustrate it. It's urban fantasy about how a couple survives, or doesn't, when a dragon comes to roost on their city block. Luckily, there appears to still be back issues of Bull Spec available, although the magazine has shifted to a web-only presence. Order Issue #5 here or an e-version from Weightless Books here.

5. Maya's Vacation

The contemporary romance novella I never expected write, Maya's Vacation came to be in a dream about frying chicken, and I fleshed that dream out into the story of a woman in her fifties rediscovering herself after a divorce and relearning what she used to love through food, paint, and an old flame returned. Maya's Vacation, published by Clean Reads, is available on Amazon. Warning: No sex scenes in this romance! Just unrequited longing. Or is it requited? I'll never tell.

I may also mention that anything you buy that features my work is a gift to me as well -- word of tongue can only spread after eyes on the page have done their business. Of course, I also have plenty of fiction free to read online as well -- just click over to the Creative section to find it. Thank you for your support, and I hope to keep entertaining you in the future. I'm pretty sure I'll have some snippets to share by the end of next week as well...

Happy holidays, from me and Ben!

I've been sitting on this news all summer! But that's my own fault, because I insist on signing a contract before I announce any of my fiction publications. Which means the contract is signed, and I have a new short story coming out at the end of the year!

"Thlush-a-lum" will be published in the Winter 2015 issue of PULP Literature, a newish speculative fiction magazine that came to be through a successful Kickstarter campaign in 2013.

Issue #5 will be released electronically and in paperback form, and you bet I'll update you once buy links become available. In addition to four yearly issues of the magazine, PULP Literature runs a number of contests that often feature publication as a prize. Their editors' blog is also a fount of useful information for writers. Peruse away!

What's "Thlush-a-lum" about, you wonder? It's pure horror that would qualify as flash fiction in most markets. The story came about when I challenged myself to write something more focused on the sense of sound than the other four I more commonly use in my writing. Many of those sounds are inspired by what I could hear from my own Southern bedroom window...and a few sounds that I swear I've been able to hear no matter where I've lived.

The first few lines? Certainly.

Markella's earliest memories are of the sounds outside her window. At hours when no men moved, rustling branches and shuffling grass woke her. A beating pulse like slower, fleshier helicopter blades banished sleep: thlush-a-lum thlush-a-lum. In summers, the heat in her attic bedroom hot enough to incubate, Markella pushed the window open and dozed to the endless static drone of cicadas. In winters, choking radiator warmth wrapped tight around her, she cracked the window and the low, deep hoots of an owl drifted in with the freezing breeze.

The sounds crept in no matter the season.

And you know I like to include a photo to set the mood when I can...

Emily Matchar, a journalist and writer based in Chapel Hill for at least part of the year, published a book, Homeward Bound, on the movement toward reclaiming the domestic arts for women among twenty- and thirtysomethings, which she coins as "the New Domesticity."  When she sought reviewers (meaning my copy was free), I jumped at the chance because I've been fascinated by the do-it-yourself attitude of our generation: chicken raising, canning everything, and covering every body part in some form of cable knit. I often feel like I'm the only person I know who doesn't want to sew her own dresses or make radish pickles. I admit to being amused at the misadventures my friends have trying to keep chickens alive. I get the appeal of gardening and the pride of wearing something you've made yourself, but it all takes so much work. And time. And I manage to fill up all my time with work as it is. Why would I want to add more?

Which is what Matcher's books asks: Why are more and more people spending their time making their own vinegar or sewing their own cloth diapers? Is this a trend backward or forward? What are its roots? Matchar interviewed many women, and some men, who are partaking in the more extreme ends of this movement by taking themselves off the grid, committing to attachment parenting, and/or blogging all about the experience and making careers out of making homes. There's no judgment in the book, and Matchar deftly handles the irony of a generation of people returning to what their feminist forbears fought to get away from. In fact, many of the women in the book frame reclaiming the domestic arts as an act of feminism, as having the right to choose whether to have a career or a life in the home and to relearn the skills that were taken from them due to being deemed oppressive.

The motivations discussed in the book for making such a big change in lifestyle range from workplace dissatisfaction to resenting absentee parents to distrust of government's ability to make foods safe. This is where Matchar's analysis shines strongest, cutting to why, in increasing numbers, people are reinventing their lives with a focus on domesticity and family. She makes clear that the tasks of domesticity aren't a problem and are often admirable work, but the underlying reasons some people have chosen to devote themselves to them are. And she doesn't refrain from pointing out the chinks in the armor of this revolution, either. New Domestics, by and large, can afford to withdraw from the consumer culture in the first place, even if they pinch every penny from a single income household after. Women who put aside workplace skills can end up in a bad spot if the supporting partner leaves—and nearly all the couples involved had at least one of them still employed in a traditional workplace. And of course, prioritizing parental instincts over the realities of scientific study lead to things like the anti-vaccine movement and the resulting increase of diseases that had been nearly eradicated in the USA. Most importantly to me, it shows a declining faith in solving problems as a society rather than as individuals.

Matchar also highlights very interesting similarities in language in the ways people talk about their commitment to New Domesticity from both progressive and conservative standpoints. Progressive women who feel drawn to relearn what Grandma used to know talk about doing what comes naturally to them. Replace natural with God, and the arguments are identical to those of women who became homemakers for religious reasons.

I would have liked a little more exploration of how simple rebellion may play a role in the origins of the New Domesticity as well. If our mothers rejected the home because they didn't want the same lives as their mothers, then maybe we've taken up those tasks and focuses as hobbies or a lifestyle for the same reason—because our mothers didn't. Regardless, "Homeward Bound" is a needed book that does a great job examining the trend, its origins, the motivations of those who devote themselves to it, and the societal problems its existence exposes. It's well-worth the read.

Homeward Bound: Why Women Are Embracing the New Domesticity By Emily Matchar Simon and Schuster 288 pages Buy Here

That’s right, folks. The day has finally arrived, and I am now a published book author! I can’t thank you all enough for your support over these last few crazy weeks. I hope you’ll pick up, by which I mean download, a copy of Maya’s Vacation soon. It’s available as an e-book only, but you can get it in whatever format you want: PDF, Nook, and Kindle files are all supported. Purchase it directly from my publisher, Astraea Press, or from Amazon or Barnes and Nobles. It’s only $2.99 for 50 pages worth of romance, food, wine, and a relaxing, quick read.

To celebrate, I’ve recorded two excerpts from the book for your listening pleasure. Each clip is about 3 minutes and 30 seconds, enough to give you a glimpse of the artsy retreat Maya attends, the delicious food Catelyn makes for all the campers, and the long-absent connection she rediscovers with a certain surprise guest . . .

Here’s the first clip! The second one will be available later this afternoon.

[audio:/audio/mvexcerpt1.mp3]

Don’t forget to head out to my book launch party at City Beverage tonight if you’re local! I’ll just be chilling from 6:30 to 8:30 with a pile of bookmarks, family, friends, and libations. Come by and say hello, and you might be one of 5 people to win a free download of the book!

I also have an interview posted on the cover art for Maya's Vacation today. Take a stroll over to Kim Bowman's blog. What inspired the cover art? Who would I cast as the main characters? Take a gander!